The Cathedral with its bell tower is the symbol of the city of Florence and is the result of a long work of more than six centuries of history.
It was designed at the end of 1296 by Arnolfo di Cambio while the cupola, symbol of Tuscany was created by the renowned Renaissance artist Filippo Brunelleschi. Over the course of the centuries, its finalization is fruit of the work done by a number of artists. It all began in 1293 to replace the existing cathedral of Santa Reperata, built on the same site. Arnolfo di Cambio worked on the project for 6 years from 1296 to 1302, the year of his death. After Arnolfo's death, some 30 years later in 1334, Giotto was named to oversee further construction but died shortly after in 1337. During the short time that Giotto took part in the designing of the magnificent Cathedral, he designed the exquisite bell tower (campanile). Andrea Pisano, creator of the south door of the Baptistery, continued up until 1348 the year that the great plague cut the population in half from 90,000 to 45,000 From 1349 to 1359, the work passed on to Franco Talenti who finally oversaw the completion of the bell tower. In 1366, Talenti also designed a new project that was to replace the original plan by Arnolfo who conceived the Cathedral in Gothic style, the trend at the time, building the Basilica with 3 naves that joined the main altar, the two bays and the new façade. The City of Florence, influenced by the advice of some painters and sculptors, approved a new design, deciding that the Gothic style was to be substituted with Roman architecture. This included an octagonal dome spanning 42 meters to be built at the east end of the central nave that was newly divided into four bays, while the two laterals were made rectangular. Finally, in 1375, Santa Reparata was completely torn down and the Duomo of Santa Maria del Fiore was ready to be the new cathedral of Florence. Remains from Santa Reparata can still be seen today in the archaeological area under the Duomo. Enriching the history of this monument was a series of both exterior and interior interventions both decorative and structural. The two sacristies were done early in the 16th century with pavements in marble and decorated with sculptures and frescoes done by Paolo Uccello, Andrea del Castagno, Giorgio Vasari and Federico Zuccari (the Last Judgement in the cupola). The facade that completed this magnificent work of architecture dates back to 1800.